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Chapel perilous : ウィキペディア英語版 | Chapel perilous The term Chapel Perilous first appeared in Sir Thomas Malory's ''Le Morte d'Arthur'' (1485) as the setting for an adventure in which sorceress Hellawes unsuccessfully attempts to seduce Sir Lancelot. T. S. Eliot used it symbolically in "The Waste Land" (1922). Dorothy Hewett took ''The Chapel Perilous'' as the title for her autobiographical play, in which she uses "the framework of the Arthurian legend, Sir Lancelot, to create a theatrical quest of romantic and epic proportions".〔(【引用サイトリンク】title=NSW HSC Online )〕 ==In literature== The term as used in literature is explicated in detail by Jessie L. Weston in her book ''From Ritual to Romance'' (1920). It is also defined by Thomas C. Foster (in a discussion of the five elements of a quest) as "the dangerous enclosure that is known in the study of traditional quest romances." He cites the plot of the book ''Crying of Lot 49'' (1966) as an example.
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